CVSP 247 Final, Spring 1998

CS 247 - FINAL EXAM - Second Semester 1997-98 fans rete oe sey LIBRARY OF RELAY 1. Construct a leading-tone 7th chord and its first inversion in the major mode with the base note of F in the treble clef below: ‘ — === 2. Construct a half~diminished 7th chord and a fully diminished 7th chord on the base note of B in the bass clef below: aE = == 3. What are the signs which indicate half and fully diminished 7th chords? 4. How does the fully diminished chord usually resolve? Show two possibilities using the chord given below: 1 = J id 4 2. \ oo -& F os Ae \ 5. Show the 7 diatonic 7th chords in the key of C major with their symbols on the treble clef below: 6. Show the 7 diatonic 7th chords in the key of Ascending Melodic C minor on the treble clef below: = = J 7. Fill in the Alto & Tenor parts as directed below: ~ ~ fee i I t il . i \ ! 2 i _ ree 1 7 Oo t - 1 7 f ge 8. What are the closely related keys of C major? E minor? & 3 fa 9. What are the three types of modulation? 10. Listen to the following musical examples and identify the type of modulation they represent — analysing to show where the modulation(s) take place. (see page two for the written scores) & s Supt ——— oo an a =m — se ~ det ad dex-teram, ad dex - te-ram L£ —_ = a ee t a-scendit, Tutt, a-scendit in se. detad dex-teram,ad dex - te-ram LF a pa aout x = = f + t= + a. scen - dit in be -a se det ad -ram,ad dex - te-ram —o a t+-f he = + a-scendit in co@plumi*-*: ge"--detad ‘dex-te-rum,ad dex - te-ram Crese, 82% fe